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"Dreamscap3": Being Seen as a Contemporary Queer Mohawk Artist

"Sometimes recognition comes from unexpected places."

Dreamscape Mixed-media triptych. Acrylic, Sharpie, spray paint, recycled bingo cards, varnish finish. Created in 2024
Dreamscape Mixed-media triptych. Acrylic, Sharpie, spray paint, recycled bingo cards, varnish finish. Created in 2024

When Mohawk artist Dave Fadden reached out to invite me to be part of a group exhibition, it was a moment that meant more than just showing my artwork. It was a moment of being seen.

As a contemporary queer Mohawk artist, my work does not always fit into the traditional expectations people may have of Indigenous art.

My practice is experimental, mixed-media, and rooted in storytelling through unexpected materials like recycled bingo cards, collage, and acrylic painting.


I have always created outside the box. My work explores Two-Spirit identity, mental health, relationships, healing, and personal experiences through a contemporary Indigenous lens.


So when an established Mohawk artist known for his traditional teachings and artistic practice recognized my work and invited me into that space, it felt like an important moment of connection between different generations and approaches to Mohawk art.

That recognition became the beginning of "Dreamscap3".




I created this mixed-media triptych over approximately 30 hours, working every night for five days while preparing for the exhibition. Using bingo cards as the foundation, I explored themes of healing, identity, vulnerability, and rediscovering myself.


The hourglass represents time and emotional processing during a blossoming romance with a woman. Wolves represent strength and navigating complex relationships. Hair represents reconnecting with my identity after experiences that challenged my sense of self. Owls represent wisdom gained through growth, while flowers and hummingbirds bring reminders of beauty, hope, and new possibilities.


"Dreamscap3" was first exhibited at Tannery Pond Center in North Creek, NY, alongside Dave Fadden.










The piece later continued its journey to the Richard F. Brush Art Gallery at St. Lawrence University in Canton, NY as part of "In Listening to These Works," an exhibition highlighting contemporary Indigenous artists and storytelling through art.

You can learn more about the exhibition here:https://artgallery.stlawu.edu/in-listening-to-these-works/


For me, Dreamscape represents more than a painting. It represents the importance of creating space for contemporary Indigenous artists who are exploring identity, culture, and storytelling in new ways.

Indigenous art is not one single style. It continues to grow, evolve, and hold many voices.

I am grateful to have my work recognized and included in these conversations.


Nia:wen - Thank you for taking the time to read my blog!


My art practice is independently funded. If you enjoy my work and want to support future projects, exhibitions, and community-based art initiatives:


E-transfer (Canada): Carpediem13655@gmail.com


• Redbubble Shop: print on demand, apparel, stickers, and more

• Following my artwork, exhibitions, and projects:

Instagram: @kitthomasart



 
 
 

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